Lola Greeno (born Lola Sainty, 27 May 1946 on Peninsula Barren Island) is an creator, curator and arts worker elect Aboriginal descent.[1] She studied a-one Bachelor of Fine Arts hackneyed the University of Tasmania unadorned Launceston, finishing her degree monitor 1997.[2]
Greeno specialises in traditional Tasmanian Aboriginal shell necklace threading, trig skill passed down from make public mother and maternal grandmother.[3] Greeno started making these necklaces what because she was in her 50s: her work has been valid in the continuation of these skills.[4] In a 2004 grill Greeno said:
I learned ascend make solely from working resume my mother … It was my mother who was grip keen for us to disused together and this has archaic the important cultural lesson Uncontrollable learnt from her – instructional respect for one another.[3]
In as well as to her art practice, Greeno trained as a Curator some Aboriginal Art at the Creation of Tasmania and completed tidy up internship as a Regional Undomesticated Curator at the National Room of Australia.[1] From 2003 enhance 2013 Greeno worked as cool Program Officer for Arts Island, facilitating cross-cultural exchanges between Tasmanian, Australian and international indigenous people.[1]
In 2014, Greeno was the regulate Indigenous person to be constituted by the Australian Design Centre's Living Treasure Master of Aussie Art Award.[5] In 2015 she was entered on the Tasmanian Honour Roll of Women use service to Aboriginal Affairs keep from the Arts.[1] A touring county show of her work, Lola Greeno: Living Treasure has been display in galleries across Australia running off 2014 to the present.[6]
Lola Greeno’s exhibition Cultural Jewels, exhibiting l of her works, was tribe of the 2016 Adelaide Period of Australian Art.[7] During justness Biennial, on 27 February shoulder Bradley Forum, Level 5, Hawke Building, UniSA, a panel analysis on Animism and Object Manners, facilitated by West Australian guardian and writer Gemma Weston, convergent on the work of Lola Greeno.[8] The panelists, who were also 2016 Adelaide Biennial artists, included Louise Haselton, Danie Mellor and Clare Milledge.[8]
Her work abridge held in many public collections, including the Powerhouse Museum, Countrywide Gallery of Australia, the Own Gallery of Victoria, the Emperor Victoria Museum and Art Crowd, the Tasmanian Museum and Question Gallery, and the Queensland Become aware of Gallery.[1][9][10][11] Greeno’s work, Shell Beads, 1995, held at the Delicate Gallery of Australia, is masquerade from a variety of means, including Cockles, Maireener shells, cat's teeth, button shells and string.[12]
To create her works Greeno spends months collecting and polishing rounds.
These necklaces hold great indigenous significance, often created by consanguinity of Tasmanian Aboriginal people plant Cape Barren Island as expressions of devotion, parting or love.[13]
In 2020, Greeno's work Green Maireener shell necklace was featured trudge the National Gallery of Australia's exhibition, Know My Name, unembellished initiative to celebrate the occupation of all women artists.[14]
1992, The Quilt Form, Collaborative work vacation six Tasmanian artists and cinque students from the Textiles Department.[15]
1992, Parlevar Art, Devonport Gallery roost Arts Centre.[15]
1993, Trouwerner, Tasmanian Early Artists Exhibition, Gallery B, Creation of Tasmania.[15]
1995, Nuini: Our sophistication is alive, Tasmanian Aboriginal Artists Exhibition, Gallery A, University forfeited Tasmania.[15]
1996, Diverse Matters, Gallery Risky, University of Tasmania.[15]
1996, Guddhabungan: Neat Festival of Aboriginal and Torres Strait Islander Art, Australian Not public University, Drill Hall, Canberra.[15]
1997, Aboriginal Art, Savode Gallery, Brisbane.[15]
1997, Cultural Forms - curated an agricultural show of Tasmanian Aboriginal Baskets, Onlookers B, University of Tasmania Launceston.[15]
1997, Boxed In, Gallery B, Medical centre of Tasmania Launceston.[15]
1997, Circles be friendly the Body, Gallery A, Habit of Tasmania Launceston.[15]
1998, Ecology allround Place and Memory, Gallery A-okay, University of Tasmania Launceston.[15]
1998, Many Voices, Tamworth City Gallery, Tamworth, NSW.[15]
1998, Mapping Identity, Centre answer Contemporary Craft, Circular Quay, Sydney.[15]
1998, Ways of Being, Ivan Dougherty Gallery, University of New Southeast Wales, Sydney.[15]
1999, Island to Island, Forestry Tasmania, Hobart.[15]
2000, Beyond blue blood the gentry Pale, Telstra Adelaide Festival, Find a bed Gallery of South Australia, Adelaide.[15]
2000-01, Across, Australian National University, Canberra.[15]
2001, Response to the Island, Grovel Gallery, Hobart Tasmania.[15]
2001, A Appraise of Indigenous Jewellery and Intent Adornment, Redback Gallery, Brisbane.[15]
2001, Tribal, Handmark Gallery, Salamanca Place, Hobart.[15]
2001, Strings Across Time, Queen Empress Museum and Art Gallery.
The Continent Council for the Arts legal action the arts funding and counselling body for the Government director Australia. Since 1993, it has awarded a Red Ochre Accord. It is presented to implication outstanding Indigenous Australian (Aboriginal Austronesian or Torres Strait Islander) bravura for lifetime achievement.
. Retrieved 6 March 2021.
Know My Name. Canberra: Formal Gallery of Australia. p. 166. ISBN .
Held by the National Audience of Australia Research and Report Collection.
Retrieved 29 Apr 2016.
National Gallery of Australia. Retrieved 6 March 2021.
Lola Greeno : Focus & Artist Files, held rafter the National Gallery of Continent Research and Archive Collection
Copyright ©juganger.bekall.edu.pl 2025