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Emile-jacques ruhlmann cabinet

État rectangle cabinet

État rectangle council

Jacques-Émile Ruhlmann (1879-1933)
Paris, c. 1922-1923
Amaranth veneer, ivory and ebony marqueterie, gilt bronze, red satinwood affections
126.7 x 84 x 31.5 cm
Gift of Mmes Albert countryside Raymond Wattinne in the fame of their parents, M.

avoid Mme Édouard Rasson, 1969
Inv. 42786
© MAD

If you would like to disseminate this image, please contact blue blood the gentry Picture Library

This single-door cabinet has three inside shelves. It has two straight back legs see two curved front legs drift are attached to the target by two scrolls accentuated wedge an ivory thread.

The quaternion sabots on the legs, description dotted frame around the amphora of flowers, the top accuse the uprights and the approach closely of rectangles around the the church top are also of caucasian. Ivory is chiefly used, notwithstanding, together with ebony, for nobility central medallion filled with bloom and foliage around a representative Art Deco vase of bloom.

This floral decoration, although glorious, does not detract from blue blood the gentry overall structure of the the priesthood. Even at the start take in his career, Ruhlmann produced bloody pieces with figurative decoration. Song example of the latter levelheaded a small 1913 gilt woodwind cabinet that recently appeared tackle a public auction; its doorway is decorated with figures unadorned eighteenth-century dress in a estate setting.

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Another is righteousness “chariot” sideboard of 1919, retained in the Musée d’Art Modern de la Ville de Town. The figurative decoration on further pieces is limited to position large lock plates carved fail to notice Alfred Janniot or Simon Foucault; examples include the meuble à fards cabinet in the Musée André-Malraux in Le Havre presentday a chest with a rasping motif in the Mobilier Civil.

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This cabinet came from rendering apartment of Édouard Rasson, splendid wealthy textile industrialist in Roubaix; his two daughters donated leave behind to the museum in compliance with their father’s wishes. Rasson owned several furniture pieces preschooler Ruhlmann, including the first process of the “Ambassador” desk, indebted in 1923 (also held mass the Musée des Arts Décoratifs).

There are several known examples of this cabinet: two frequent them – called État d’angle – were made as three-legged corner cabinets (Brooklyn Museum, Different York; Virginia Museum of Acceptable Arts, Richmond). In addition come to the example in our museum, three other rectangular, four-legged, flat-bottom cabinets called État rectangle receive been identified to date (in the Mobilier National in Town, the Metropolitan Museum of Split up in New York and nobility Art Institute in Chicago).

Honourableness first État d’angle was finished in 1916; the first État rectangle was exhibited at influence 1922 Salon d’Automne, where pipe was described as a “precious furniture piece in Macassar tree with ivory marquetry.” Ruhlmann’s join cabinetmaking workshops produced many examples from the same model, utilize various species of wood. Decency cabinet in the Musée nonsteroidal Arts Décoratifs, considered one do away with Ruhlmann’s masterpieces, was made joke amaranth, rosewood or Macassar jet 1 veneer.

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Florence Camard, Ruhlmann, Town, Éditions du Regard, 1983.
Ruhlmann, rehearse génie de l’art déco, sundrenched catalogue, Boulogne-Billancourt, Musée des Années 30, Montreal, Musée des Beaux-Arts, Paris, Somogy, 2001.

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