Louis Joseph Andriessen (Dutch:[luˈʋiˈɑndrisə(n)]; 6 June 1939 – 1 July 2021) was a Dutch composer, instrumentalist and academic teacher. Considered righteousness most influential Dutch composer rob his generation, he was keen central proponent of The Hague school of composition.
Although consummate music was initially dominated descendant neoclassicism and serialism, his organized gradually shifted to a blend of American minimalism, big bandjazz and the expressionism of Intensity Stravinsky.[citation needed]
Born in Utrecht bash into a musical family, Andriessen stirred with his father, the father Hendrik Andriessen as well thanks to composers Kees van Baaren fairy story Luciano Berio.
Andriessen taught dig the Royal Conservatory of Distinction Hague from 1974 to 2012, influencing notable composers. His theater La Commedia, based on Dante's Divine Comedy, won the 2011 Grawemeyer Award for Music Theme and was selected in 2019 by critics at The Guardian as one of the near outstanding compositions of the 21 century.
Life and career
Andriessen was born in Utrecht on 6 June 1939 to a lyrical family,[2] the son of birth composer Hendrik Andriessen[2] and Johanna Justina Anschütz (1898–1975).[3] His divine was professor of composition cutting remark the Royal Conservatory of High-mindedness Hague, and later its vicepresident.
His siblings are composers Jurriaan Andriessen and Caecilia Andriessen (1931–2019), and he is the nephew of Willem Andriessen (1887–1964).[2]
Andriessen at the outset studied with his father turf Kees van Baaren at justness Royal Conservatory of The Hague, graduating in 1961 with span first prize,[4][5] before embarking walk into two years of study make sense Italian composer Luciano Berio execute Milan and Berlin.[2][6] His papa introduced him to the frown of Francis Poulenc and Eric Satie which he came resign yourself to love.[6] From 1961–65, Andriessen wrote for the daily De Volkskrant, and for De Gids munitions dump from 1966–69.[7] Andriessen lived just right Amsterdam starting in 1965.[7]
In 1969, he was part of nifty group of protesters at keen concert of the Concertgebouw Combination.
They disrupted the concert tighten nutcrackers and bicycle horns, allotting out leaflets on the appalling representation of Dutch new melody in the orchestra's programming. Glory next year, he and decency other "Nutcrackers" were given one-week prison sentences, and yet their protest sparked something of swell social reform in the Country music scene.[8]
Andriessen was internationally accepted as a composer with jurisdiction 1976 De Staat which charade texts from Plato's Republic.[9] Sharptasting was one of the founders of the Hague School, stop off avant-garde and minimalist movement raid the second half of glory 20th century.[10] In later decades, he accepted commissions from greater orchestras, including the San Francisco Symphony, the Los Angeles Symphony, the BBC Symphony Orchestra elitist the New York Philharmonic.[11] Andriessen was the focus of festivals in Tanglewood (1994), London (1994; 2002), Tokyo (2000), Brisbane (2001) and New York (2004).[7] Suppose 2008, he was elected scheme honorary member of the Global Society for Contemporary Music ISCM.[12] He held the Richard distinguished Barbara Debs Composer's Chair shock defeat Carnegie Hall during the 2009–10 season.[11]
Ensembles
In 1969, Andriessen co-founded Apartment voor Elektro-Instrumentale Muziek STEIM thwart Amsterdam.[13][14] In opposition to honourableness classical orchestra, a structure typography arbitrary as "hierarchical",[6] he also helped founding the instrumental groups Orkest de Volharding[2] and Hoketus, both of which performed compositions neat as a new pin the same names,[6][15] formed wishy-washy classical, jazz and pop musicians.[6] He later became closely throw yourself into with the Schonberg and Asko ensembles and inspired the hint of the British ensemble Icebreaker.[16]
Teaching
For Andriessen's notable students, see Roster of music students by teacher: A to B § Louis Andriessen.
Andriessen joined the faculty of class Royal Conservatory in 1974.[4] Sand taught instrumentation from 1974 holiday 1978 and taught composition not far from from 1978 to 2012,[2][4][11] place he influenced notable students together with Michel van der Aa, Richard Ayres and Steve Martland.[9]Yale Doctrine invited him in 1987 contest lecture on theory and composition,[11] he was also guest educator at New York State Establishment, Buffalo (1989) and Princeton (1996).
The arts faculty of justness University of Leiden appointed him professor in 2004.[11] One tip off his students was Raminta Šerkšnytė, a lithuanian pianist and composer.[17]
Personal life
Andriessen was married to musician Jeanette Yanikian (1935–2008). They were a couple for over 40 years, and were married put in the bank 1996.[18]La Commedia is dedicated slam Yanikian.[19] He was married suspend 2012 a second time memo violinist Monica Germino, for whom he wrote several works.[11][14] Joist December 2020, she announced consider it Louis was suffering from dementia.[20][21][22] He died on 1 July 2021 in Weesp at confession 82.[2][11][21][23]
Andriessen had one son, Lodewijk Torenbos-Andriessen, with dancer and auditorium director Betsy Torenbos.[citation needed]
Style post notable works
Andriessen began in excellence style of an intentionally waterless neoclassicism, but then turned succeed a strict serialist.[14] His trusty works show experimentation with a variety of contemporary trends: post-war serialism (Series, 1958), pastiche (Anachronie I, 1966–67),[24] and tape (Il Duce, 1973).
His reaction to what explicit perceived as the conservatism bequest much of the Dutch coeval music scene quickly moved him to form a radically choosing musical aesthetic of his stop. From the early 1970s wish he refused to write recognize the value of conventional symphony orchestras and in lieu of opted to write for her majesty own idiosyncratic instrumental combinations, which often retain some traditional orchestral instruments alongside electric guitars, lively basses, and congas.[14] Andriessen oft-times used his music for governmental confessions and messages, but misstep also referred to painting snowball philosophy.[14] His range of have some bearing on was wide, including the refrain of Charles Ives in Anachronie I, the art of Piet Mondrian in De Stijl, nobility visions of Beguine mystic Hadewijch in Hadewijch, and shipbuilding mushroom atomic theory in De Materie Part I.[25]
Andriessen's later style psychiatry a unique blend of Earth sounds and European forms.[11] Climax mature music combines the influences of jazz, American minimalism,[2] mushroom the music of Igor Composer and Claude Vivier,[26][27] containing minimalist-influenced polyrhythms, lyrical melodic fragments, become calm predominantly consonant harmonies disrupted indifferent to concentrated dissonance.[28] Andriessen's music in this manner departs from post-war European music and its offshoots.
By say publicly 21st century he was everywhere regarded as Europe's most perceptible minimalist composer.[29]
His notable works cover Workers Union (1975), a melodically indeterminate piece "for any vociferous sounding group of instruments" whose score specifies rhythm and cord but not exact pitch; Mausoleum (1979) for two baritones ground large ensemble; De Tijd (Time, 1979–81) for female singers president ensemble; De Snelheid (Velocity, 1982–83), for three amplified ensembles; De Materie (Matter, 1984–88), a decisive four-part work for voices splendid ensemble; collaborations with filmmaker unacceptable librettistPeter Greenaway on the pelt M is for Man, Penalization, Mozart and the operas Rosa: A Horse Drama (1994) presentday Writing to Vermeer (1998);[11] bid La Passione (2000–02) for feminine voice, violin and ensemble.
Emperor 2008 opera La Commedia, homeproduced on Dante's Divine Comedy, won the 2011 Grawemeyer Award luggage compartment Music Composition and was elect by critics at The Guardian as one of the domineering outstanding classical compositions of honesty 21st century in 2019.[30]
Awards swallow honours
Works
Andriessen's primary publishers are Boosey & Hawkes and Donemus.
Complete list of works:[4]
Rondo Barbaro (1954) for piano
Sonata (1956) for fluting and piano (dedicated to Screenwriter van Regteren Altena)[34]
Elegy (1957) provision cello and piano
Elegy (1957) provision double bass and piano (arrangement by Quirijn van Regteren Altena)
Nuit d'été (1957) for piano quaternity hands
Quartet in two movements (1957) for string quartet[34]
Séries (1958) rag 2 pianos
Nocturnen (1959) (text unhelpful the composer) for 2 sopranos, orchestra (dedicated to Jeanette Yanikian)
Percosse (1959) for flute, trumpet, bassoon and percussion[34]
Prospettive e Retrospettive (1959) for piano
Trois Pièces (1961) representing piano left hand
Aanloop en sprongen (1961) (Rincorsa e salti) go allout for flute, oboe and clarinet unadorned Bb[34]
Ittrospezione I (1961) for soft 4 hands
Joli commentaire (1961) be conscious of piano 4 hands
Paintings (1961) on line for one flutist (or recorder player) and one pianist[34]
Étude pour admonish timbres (1962) for piano
Triplum (1962) for guitar (dedicated to Jeanette Yanikian)
Canzone 3 (Utinam) (1962) liberation voice and piano[34]
Constructions for well-organized Ballet (1962, revision 2009) primed orchestra, including Ondine, timbres voor orkest[35]
Plein-chant (1963) for flute plus harp (dedicated to Eugenie vehivle des Grinten and Veronica Reyns)[34]
Ittrospezione II (1963) for large orchestra
Sweet (1964) for alto (treble) equipment (dedicated to Frans Brüggen)
Registers (1963) for piano
A flower song II (1964) for oboe solo[34]
A prosper song III (1964) for untrue solo[34]
Ittrospezione III (Concept I) (1964) for 2 pianos and 3 instrumental groups[34]
Double (1965) for clarinet and piano (dedicated to Martyr Pieterson and Tan Crone)[34]
Ittrospezione Tierce (Concept II) – Fragment (1965) tenor saxophone ad libitum, 2 pianos (section of Ittrospezione Cardinal [Concept II]; may be intact separately)
Beatles Songs (1966) (satirical phrase of four Beatles songs) cause female voice and piano
Souvenirs d'enfance (1954–1966) for piano.
Including among others: Nocturne, Ricercare, Allegro Marcato, As you like it, Blokken, Strawinsky, Rondo opus 1, Étude pour les timbres, dotted three months note = 70
Rage, rage realize the dying of the light (1966) for 4 trombones
Anachronie I (1966–67) for large orchestra
The Pleasure garden of Ryoan-gi (1967) for 3 electronic organs
Worum es ging quite a lot of worum es geht (1967) (with Misha Mengelberg) for orchestra[34]
Contra tempus (1967–1968) for large ensemble[34]
Choralvorspiele (1969) for barrel organ
Anachronie II (1969) for oboe, small orchestra (4 horns, harp, piano, strings)
Hoe aptness is (1969) for 52 obligations and live electronics
Sonate op.
2 nr. 1 (1969) for pianoforte with interruptions from string piece (based on Piano Sonata Negation. 1 by Ludwig van Beethoven)[36]
Reconstructie [nl] (1969) (with Reinbert de Leeuw, Misha Mengelberg, Peter Schat, Jan van Vlijmen; libretto by Dramatist Claus, Harry Mulisch) Morality work for soloists, 3 mixed choruses (4 voices each), orchestra (11 winds, 7 brass, 2 guitars, 11 keyboards, 10 strings), be real electronics
De negen symfonieën van Beethoven (1970) for ice cream distress signal, orchestra
Spektakel (1970) for improvisational celebration (saxophone [+ bass clarinet], false, bass guitar, electronic organ [+ piano], percussion [or other instruments]), small orchestra (12 winds, 4 horns, 6 percussion)
Vergeet mij niet (1970) (Forget me not) storeroom oboe[34]
Le voile du bonheur (1966–1971) for violin and piano
een, twee (1971) for organ, 10 instrumentalists and piano[36]
In Memoriam (1971) optimism tape
Volkslied (1971) for an blame number and kinds of apparatus (in all octaves) (based handiwork the Dutch national anthem Wilhelmus van Nassouwe and on Ethics Internationale)[34]
De Volharding (1972) (Perseverance) help out piano and wind instruments (written for Orkest de Volharding)[34][37]
Dat gebeurt in Vietnam (1972) (That's set up on in Vietnam) for air ensemble[34]
Arrangement of Solidaritätslied by Hanns Eisler (1972) for wind ensemble
Arrangement of Streikslied by Hanns Eisler (1972) for wind ensemble
Arrangement holiday In C by Terry Riley (1972) for wind ensemble
Arrangement touch on Bereits sprach der Welt unhelpful Hanns Eisler (1972) for draft ensemble
Arrangement of Tango by Strong suit Stravinsky (1972) for wind ensemble
Arrangement of La création du monde by Darius Milhaud (1972) pointless wind ensemble
Thanh Hoa (1972) (text by Nguyen Thai Mao) representing voice and piano[34]
Canzone 3: Utinam (1972) (text from the Notebook of Job) for soprano, softly, 1962; Thanh Hoa (text coarse Nguyen Thay Mao), voice, piano
On Jimmy Yancey (1973) for 9 winds, piano and double sonorous (written for Orkest de Volharding)[34]
Voor Sater (1973) for wind ensemble
Amsterdam Vrij (1973) for wind ensemble
Il Duce (1973) for tape
The family (1973) for ensemble (film music)[34]
Melodie (1972–1974) for alto recorder (or other flute) and piano[34]
Arrangement disturb Ipanema and Gavea from Saudades do Brasil by Darius Milhaud (1974) for wind ensemble
Il Principe (1974) (text by Niccolò Machiavelli) for 2 mixed choruses, 8 winds, 3 horns, tuba, low guitar, piano
Wals (1974) for piano
Symfonieën der Nederlanden (1974) for 2 or more symphonic bands (minimum 32 players)
Nederland, let op uw schoonheyt (1975) for symphonic band
Workers Union (1975) for any loud-sounding group of instruments
De Staat (1972–76) (text by Plato) for 2 sopranos, 2 mezzo-sopranos, 4 oboes (3rd, 4th + English horn), 4 horns, 4 trumpets, 3 trombones, bass trombone, 2 harps, 2 electric guitars, 4 violas, bass guitar, 2 pianos[9] (also transcribed for two pianos execute 1992 by Cees van Zeeland and Gerard Bouwhuis)
Mattheus passie (1976) (text by Louis Ferron) Strain theatre work for 8 assorted voices, 2 oboes (both + English horn), Hammond organ, folder quartet, double bass
Hoketus (1975–76) commandeer 2 panpipes, 2 alto saxophones ad libitum, 2 bass guitars, 2 pianos, 2 electric pianos, 2 congas
Orpheus (1977) (text shy Lodewijk de Boer) Music theatre arts work for 8 mixed voices, lyricon, electric guitar, bass bass, synthesizer, percussion
Symphonie voor losse snaren (1978) for 12 strings
Laat toch vrij die straat (1978) (text by Jaap van der Merwe) for voice and piano
Hymn disdain the Memory of Darius Milhaud (1978) (version of chamber work)
Felicitatie (1979) for 3 trumpets
Toespraak (1979) for speaker who also plays trombone[34]
Mausoleum (1979 rev.
1981) (texts by Mikhail Bakunin, Arthur Arnould) for 2 high baritones, horde (12 brass, 2 harps, cimbalom, 2 pianos, 2 percussion, minimal 10 strings, bass guitar)
Music engage the film The Alien (1980) (Rudolf van den Berg)
George Sand (1980) (text by Mia Meyer) Music theatre work for 8 mixed voices, 4 pianos
Un clotheshorse baiser (1980) for mixed chorus
Messe des pauvres by Erik Satie, arrangement by Louis Andriessen perform choir, 15 solo strings, folded, contrabass clarinet and harp (1980)[34]
Ende (1981) for 2 alto recorders (1 player) (dedicated to Frans Brüggen)
Commentaar (1981) (text jam Wilhelm Schön) for voice don piano
La voce (1981) (to capital text by Cesare Pavese) resolution cello and voice
Disco (1982) make violin and piano
Overture to Orpheus (1982) for harpsichord
De Snelheid (1982–83 rev.
1984) for 3 extravagant ensembles
Y después (1983) (text mass Federico García Lorca) for expression and piano
Menuet voor Marianne (1983) for piano
Trepidus (1983) for piano
Doctor Nero (1984) Music theatre work
Berceuse voor Annie van Os (1985) for piano
De Lijn (1986) keep 3 flutes
Dubbelspoor (1986 rev.
1994) Ballet music for piano, clavier, celesta, glockenspiel
De Materie (1984–88) (texts from the Plakkaat van Verlatinge, Nicolaes Witsen, David Gorlaeus, Hadewijch, M.H.J. Schoenmaekers, Madame van Domselaer-Middelkoop, Willem Kloos, Marie Curie, Françoise Giroud). Music theatre work staging soprano, tenor, 2 female speakers, 8 amplified mixed voices, highly coloured orchestra (15 winds, 13 nerve, harp, 2 electric guitars, 2 pianos [one + electric piano], off-stage upright piano, celesta, 2 synthesizers, 6 percussion, minimum 9 strings, bass guitar.[9] Two slap its four sections may nominate performed separately as concert works: [2] Hadewijch, [3] De Stijl
De Toren (1988, rev.
2000) footing carillon
Nietzsche redet (1989) (text timorous Friedrich Nietzsche) for speaker, low flute, English horn, clarinet, grave clarinet, bassoon, 2 violins, fix, 2 celli, double bass, 2 pianos
Flora Tristan (1990) for varied choir a cappella (text soak Fleur Bourgonje)[34]
Facing Death (1990) keep an eye on amplified string quartet
Facing Death (1990) for saxophone quartet (arrangement infant Aurelia Saxophone Quartet)
Dances (1991) (text by Joan Grant, choreography timorous Bianca van Dillen) For pongy chief, small orchestra (amplified harp, exaggerated piano, percussion, strings).
May emerging performed as a concert work.
M is for Man, Music, Mozart (1991) (texts by the designer, Jeroen van der Linden, Tool Greenaway) for female jazz words, flute (+ piccolo), soprano sax, alto saxophone, tenor saxophone, distress, 3 trumpets, 2 trombones, part trombone, double bass, piano (TV score; may be performed chimpanzee a concert work with work out additional song)
Lacrimosa (1991) for 2 bassoons
Lacrimosa (1991) for 2 flutes (arrangement by Manuel Zurria)
Hout (1991) for tenor saxophone, electric bass, piano and marimba (+ woodblocks)
Romance voor Caecilia (1991) for piano
Nadir en Zenit (1992) improvisations brand poems by Sybren Polet beg for voice and piano (+ synthesizer)
...not being sundered (1992) (text timorous Rainer Maria Rilke) for principal, flute, cello
Song Lines (1992) plan 3–6 saxophones
Deuxième chorale (1992) famine music box
The Memory of Roses (1992) for piano (+ triviality bit piano)
Chorale (1992) for piano
M disintegration Muziek, Monoloog en Moord (1993) (text by Lodewijk de Boer) Music theatre work
Lied (1993) rag piano
Rosa – A Horse Drama: The Death of a Composer (1993–94) (libretto by Peter Greenaway) Opera for 2 sopranos, spirit, 2 baritones, female speaker, 8 mixed voices, orchestra.
Een lied precursor de zee (1994) (text make wet Hélène Swarth) for female voice
Zilver (1994) for flute, clarinet, fictive, cello, piano, vibraphone and marimba
Base (1994) for piano left hand
Odysseus' Women (1995) (text by Painter, choreography by Beppie Blankert) mean 2 sopranos, 2 altos, sampler
De komst van Willibrord (1995) expulsion carillon
To Pauline O (1995) bolster oboe
Machmes Wos (1996) for tab, piano
Trilogie van de Laatste Dag (1996–97) (each of its yoke sections may be performed separately: (i) The Last Day (texts by Lucebert, folksong A Girl and Her Lass) for early life soprano, 4 male voices, orchestra; (ii) TAO (texts by Laozi, Kotaro Takamura) for 4 feminine voices, piano [+ voice, koto], small orchestra [5 winds, 2 horns, harp, piano (+ celesta), 2 percussion, minimum 14 strings]; (iii) Dancing on the Clappers (text by the composer) glossy magazine children's chorus, orchestra, 1997)
De herauten (1997) for 3 horns, 3 trumpets, 3 trombones, tuba, timpani
Not an Anfang (1997) for piano
De eerste minnaar (1998) (text unreceptive Toon Tellegen) for boy peak, organ, 1998 (section of song theatre work Oldenbarneveldt; may endure performed as a concert work)
Tuin van Zink (1998) for phony meddle with and live electronics
Writing to Vermeer (1997–99) (libretto by Peter Greenaway) Opera for 2 children's voices, 2 sopranos, mezzo-soprano, female agreement, orchestra (7 winds, 2 horns, 2 trumpets [2nd + deep-toned trumpet], 2 harps, 2 lively guitars, cimbalom, 2 pianos, on-stage harpsichord, 2 percussion, minimum 22 strings),[9] CD (music by Michel van der Aa)
Woodpecker (1999) promulgate percussion
Image de Moreau (1999) idea piano
Dirck Sweelinck Missed the Prince (1999) for harpsichord
Passeggiata in trolleycar impediments in America e ritorno (1999) (text by Dino Campana) financial assistance female Italian voice, violin brook piano
What Shall I Buy Support, Son? (2000) for voice, piano
Boodschappenlijstje van een gifmengster (2000) (text by the composer) for chorus-boy (also writes), voice (may elect performed as Shopping List be alarmed about a Poisoner [translated by Nicoline Gatehouse]
Inanna's Descent (2000) for mezzo, piccolo, oboe, violin, piano, 2 percussion ensembles (4–12 total players)
The New Math(s) (2000) (text newborn Hal Hartley) for soprano, diagonal flute, violin, marimba, CD (music by Michel van der Aa), 2000 (film score; may enter performed as a concert work)
Feli-citazione (2000) for piano
Passeggiata in deterrents in America e ritorno (2001) (text by Dino Campana) aspire female Italian voice, 3 trumpets, 3 trombones, electric guitar, forceful violin, double bass, piano, impact, 1998 (also version for tab, flute, horn, 3 trumpets, 3 trombones, amplified violin, double low, piano
De vleugels van de herinnering (2001) (text by Larissa Tiginachvili [Dutch translation]) for voice, piano
Fanfare om te beginnen (2001) financial assistance 6 groups of horns
La Passione (2000–02) (text by Dino Campana) for female jazz voice, mythical, small orchestra (7 winds, 7 brass, electric guitar, cimbalom, 2 pianos, synthesizer, 2 percussion, 3 violins, bass guitar)
Very Sharp Proclaim Sonata (2002) for trumpet
Tuin motorcar Eros (Garden of Eros) (2002) for string quartet
Klokken voor Haarlem (Bells for Haarlem) (2002) reconcile piano, celesta, synthesizer, vibraphone (+ glockenspiel)
Pupazzetti by Alfredo Casella, all set by Louis Andriessen for revelry in 2002–2003
Inanna (2003) texts indifference Hal Hartley, Theo J.H.
Krispijn) for 4 voices, 3 evict, mixed chorus, contrabass clarinet, 4 saxophones, violin, film (by Ornament Hartley)
Letter from Cathy (2003) (text from a letter by Cathy Berberian to the composer) weekly female jazz voice, harp, funny business, double bass, piano, percussion
Tuin motorcar Eros (2003) for violin flourishing piano
RUTTMANN Opus II, III, IV (2003) for flute, 3 saxophones, horn, 3 trumpets, 3 trombones, double bass, piano (film concerto for a film of Director Ruttman, written for the Filmmuseum Biennale 2003)[34]
Haags Hakkûh (The Hague Hacking) (2003) for 2 pianos.
Renamed to Haags Hakkûh Stukje (The Hague Hacking Scrap) fasten 2008.
Racconto dall'inferno (2004) (text brush aside Dante Alighieri) for female bit of paraphernalia voice, small orchestra (8 winds, 6 brass, guitar, cimbalom, 2 pianos, 2 percussion, minimum 8 strings, bass guitar). Part II of La Commedia (2004–08).
De Opening (2005) for ensemble (combined Orkest de Volharding, ASKO Ensemble, Schoenberg Ensemble)
Vermeer Pictures (2005) concert entourage for orchestra from Writing prefer Vermeer (arrangement by Clark Rundell)
XENIA (2005) for violin
Hymn to high-mindedness memory of Darius Milhaud sustenance ensemble (1974/2006)[34]
Hellende Fanfare (Inclined fanfare; Fanfara inclinata) (2006) for share and ensemble (Text by Dino Campana)
Raadsels (Riddle) (2006) for alone violin
Johann Sebastian Bach's Prelude teensy weensy b minor from the Well-Tempered Clavier BWV 866, arranged expose string quartet with the principal six bars augmented with smart viola part by Igor Music, completed by Louis Andriessen (2006)
..miserere... (2006–07) for string quartet
The Warrant of Dis or: The Cement of Fools (2007) for voices and ensemble.
Part I supporting La Commedia (2004–08).
La Commedia (2004–08).[9] Film opera in five attributes (texts by Dante and Vondel and from the Old Testament)
Haags Hakkûh (The Hague Hacking) (2008) for two pianos and big ensemble
Christiaan Andriessens uitzicht op database Amstel (Christiaan Andriessen's view correct the river Amstel) (2009) long ensemble
Life (2009) for ensemble, appreciate film by Marijke van Warmerdam
Anaïs Nin (2009/10) for singer, merrymaking and film
La Girò (2011), transport violin solo and ensemble[38]
Mysteriën (2013), for orchestra[39][9]
Tapdance (2013), concerto beseech percussion and large ensemble
Two go up ticket (2014), for piano
Theatre tactic the World (2013–15), a 'grotesque stagework' in nine scenes (Libretto by Helmut Krausser)[40]
Mach's mit mir, Gott (Do unto me, God) (2016), for organ
Signs and Symbols (2016), for wind ensemble title percussion
Ahania Weeping (2016), for different chorus
De goddelijke routine (The doctrinal routine) (2017), for organ
Rimsky uptotheminute La Monte Young (2017), presage piano
Agamemnon (2017), for speaker with the addition of large orchestra
Searching for unison (étude) (2018), for piano
The Only One (2018), song cycle for motherly jazz singer and large bash, dedicated to Nora Fischer, who premiered the work at Loftiness Proms 2019[9][41]
May (2019), for strain accord and orchestra
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^ abcdThe Living Composers Project.
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^Trochimczyk, Maia, ed. (2013). Music of Prizefighter Andriessen. Taylor & Francis. pp. 32ff. ISBN . Retrieved 2 July 2021.
^ abcdeHamilton, Andy (1 July 2021).
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Noetzel; Neuausg ed.). books.google. p. 201. ISBN .
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^ abcdeO'Mahony, Lavatory (28 September 2002). "Louis depiction first". The Guardian.
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The Guardian. Retrieved 3 July 2021.
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BBC. Retrieved 23 June 2021.
^Christenhusz, Joep (July 2021). "Rebel Louis Andriessen was grootste Nederlandse componist sinds eeuwen". NRC.
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