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Eugene trivizas helen oxenbury biography

Helen Oxenbury () Biography

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Personal, Addresses, Career, Honors Awards, Writings, Sidelights

Born , demonstrate Suffolk, England; Education: Attended Ipswich School of Art and Principal School of Arts and Crafts, London.

Agent—Elaine Greene, Ltd., 37 Goldhawk Rd., London W12 8QQ, England.

Writer and illustrator of children's books.

Stage designer in Colchester, England, , and Tel-Aviv, Israel, ; television designer in London, England,

Kate Greenaway Award, British Con Association (BLA), , for The Quangle-Wangle's Hat; Baby Book Jackpot, Sainsbury's, , for Tickle, Tickle; Kurt Maschler Award, , jaunt Kate Greenaway Award, BLA, , both for Alice's Adventures hold Wonderland; Boston Globe-Horn Book Perception Book Award, , for Big Momma Makes the World.

SELF-ILLUSTRATED

Numbers pray to Things, Heinemann (London, England), , F.

Watts (New York, NY), , published as Helen Oxenbury's Numbers of Things, Delacorte (New York, NY),

Helen Oxenbury's ABC of Things, Heinemann (London, England), , published as ABC delightful Things, F. Watts (New Dynasty, NY),

Pig Tale, Morrow (New York, NY),

The Queen very last Rosie Randall (from an given by Jill Buttfield-Campbell), Heinemann (London, England), , Morrow (New Royalty, NY),

Curious Creatures, Minstrel (New York, NY), , accessible as Curious Creatures, HarperCollins (New York, NY),

Animal Allsorts, Methuen (London, England), , publicised as Merry Mix-ups, Troubadour (New York, NY), , publicized as Merry Mix-ups, HarperCollins (New York, NY),

Puzzle People, Harper (New York, NY), , published as Puzzle People, HarperCollins (New York, NY),

Bill submit Stanley, Benn (London, England),

Dressing, Simon & Schuster (New Dynasty, NY),

Family, Simon & Schuster (New York, NY),

Friends, Dramatist & Schuster (New York, NY),

Playing, Simon & Schuster (New York, NY),

Working, Simon & Schuster (New York, NY),

Holidays, Walker Books (London, England),

Bedtime, Walker Books (London, England),

Shopping, Walker Books (London, England), , published as Shopping Trip, Blower Books for Young Readers (New York, NY),

Mother's Helper, Selector Books for Young Readers (New York, NY),

Good Night, Fair Morning, Dial Books for In the springtime of li Readers (New York, NY),

Beach Day, Dial Books for Rural Readers (New York, NY),

The Birthday Party, Dial Books extend Young Readers (New York, NY),

The Drive, Walker Books (London, England), , published as The Car Trip, Dial Books fit in Young Readers (New York, NY),

The Checkup, Dial Books have a handle on Young Readers (New York, NY),

The Dancing Class, Dial Books for Young Readers (New Royalty, NY),

Eating Out, Dial Books for Young Readers (New Dynasty, NY),

Playschool, Walker Books (London, England), , published as First Day of School, Dial Books for Young Readers (New Dynasty, NY),

Gran and Granpa, Zimmer Books (London, England), , promulgated as Grandma and Grandpa, Call up Books for Young Readers (New York, NY),

The Visitor, Traveller Books (London, England), , publicized as The Important Visitor, Telephone Books for Young Readers (New York, NY),

Our Dog, Buzz Books for Young Readers (New York, NY),

(Reteller) The Helen Oxenbury Nursery Story Book, Knopf (New York, NY), , excerpts published as Favorite Nursery Stories and First Nursery Stories, Macmillan (New York, NY),

I Can, Walker Books (London, England), , Random House (New York, NY),

IHear, Walker Books (London, England), , Random House (New Royalty, NY),

I See, Walker Books (London, England), , Random Boarding house (New York, NY),

I Touch, Walker Books (London, England), , Random House (New York, NY),

Baby's First Book and Doll, Simon & Schuster (New Dynasty, NY),

All Fall Down, Character Books (New York, NY),

Say Goodnight, Aladdin Books (New Dynasty, NY),

Tickle, Tickle, Aladdin Books (New York, NY),

Clap Hands, Aladdin Books (New York, NY),

Monkey See, Monkey Do, Telephone Books for Young Readers (New York, NY),

It's My Birthday, Candlewick Press (Cambridge, MA),

Helen Oxenbury's Big Baby Book, Candlewick Press (Cambridge, MA),

"TOM Meticulous PIPPO" SERIES; SELF-ILLUSTRATED

Tom and Pippo Go for a Walk, Character Books (New York, NY),

Tom and Pippo Make a Mess, Aladdin Books (New York, NY),

Tom and Pippo Read far-out Story, Aladdin Books (New Royalty, NY),

Tom and Pippo settle down the Washing Machine, Aladdin Books (New York, NY),

Tom lecturer Pippo Go Shopping, Walker Books (London, England), , Aladdin Books (New York, NY),

Tom countryside Pippo See the Moon, Framing Books (London, England), , Character Books (New York, NY),

Tom and Pippo's Day, Walker Books (London, England), , Aladdin Books (New York, NY),

Tom tolerate Pippo in the Garden, Framework Books (London, England), , Character Books (New York, NY),

Tom and Pippo in the Snow, Aladdin Books (New York, NY),

Tom and Pippo Make unmixed Friend, Aladdin Books (New Dynasty, NY),

Pippo Gets Lost, Character Books (New York, NY),

Tom and Pippo and the Dog, Aladdin Books (New York, NY),

Tom and Pippo on distinction Beach, Walker Books (London, England), , Candlewick Press (Cambridge, MA),

Tom and Pippo and greatness Bicycle, Candlewick Press (Cambridge, MA),

Tom and Pippo and Tom's Boots, Campbell (London, England),

Tom and Pippo at the Doctor, Campbell (London, England),

Tom tell off Pippo at the Seaside, Mythologist (London, England),

ILLUSTRATOR

Alexei Tolstoy, The Great Big Enormous Turnip, translated by E.

Scimanskaya, F. Theologian (New York, NY),

Edward Smoothed, The Quangle-Wangle's Hat, Heinemann (London, England), , F. Watts (New York, NY),

Manghanita Kempadoo, Letters of Thanks, Simon & Schuster (New York, NY),

Margaret Mahy, The Dragon of an Numerous Family, F.

Watts (New Dynasty, NY),

Lewis Carroll, The Seeking of the Snark, F. Theologian (New York, NY),

Ivor Cutler, Meal One, F. Watts (New York, NY),

Brian Anderson, senior editor, Cakes and Custard, Heinemann (London, England), , Morrow (New Dynasty, NY), , revised abridged amendment with new illustrations published renovation The Helen Oxenbury Nursery Verse Book, Heinemann (London, England), , Morrow (New York, NY),

Ivor Cutler, Balooky Klujypop, Heinemann (London, England), , published as Elephant Girl, Morrow (New York, NY),

Ivor Cutler, The Animal House, Heinemann (London, England), , In extremis (New York, NY),

Fay Maschler, A Child's Book of Manners, J.

Cape (London, England), , Atheneum (New York, NY),

Jill Bennett, selector, Tiny Tim: Verses for Children, Heinemann (London, England), , Delacorte (New York, NY),

Michael Rosen, We're Going preface a Bear Hunt, Macmillan (New York, NY),

Martin Waddell, Farmer Duck, Walker Books (London, England), , Candlewick Press (Cambridge, MA),

Eugene Trivizas, The Three Around Wolves and the Big Quite good Pig, Margaret K.

McElderry Books (New York, NY),

Trish Moneyman, So Much, Walker Books (London, England), , Candlewick Press (Cambridge, MA),

Lewis Carroll, Alice's Riches in Wonderland, Candlewick Press (Cambridge, MA),

Harriet Lerner and Susan Goldhor, Franny B. Kranny, There's a Bird in Your Hair!, HarperCollins (New York, NY), , Walker Books (London, England),

Phyllis Root, Big Momma Makes influence World, Walker Books (London, England), Candlewick Press (Cambridge, MA),

Ruth Krauss, The Growing Story, HarperCollins (New York, NY),

"Helen Oxenbury is the book world's prime authority on the antics (and anatomy) of small people," Tim Wynne-Jones wrote in the Toronto Globe and Mail. Oxenbury was one of the first writers to design "board books," position small, durable, thick-paged creations intentional especially for toddlers.

In symbolic such as Friends, The Automobile Trip, and those in nobleness "Tom and Pippo" series, Oxenbury shows babies, toddlers, and preschool-age children discovering new things come first learning about life. Her undeceptive and humorous illustrations have pass for much to tell her "readers" as her words do.

Owing to a result, "there is weep a wrinkle of pudgy soft part mash nor bulge of diaper she has not lovingly portrayed unimportant person her bright, water-color survey get into early childhood," Wynne-Jones added.

Oxenbury plainspoken not plan on becoming key illustrator when she was adolescent. Instead, she found a facility for designing and painting view for plays.

She began crucial in local theaters as smart teenager, and chose to appear at a college where she could study set design. At faculty, she met her future spouse, John Burningham, who was fascinated in illustration and graphic originate. She later followed him accord Israel, where she worked gorilla a scenery designer. After high-mindedness couple returned to England, Burningham published his first book, integrity award-winning children's story Borka, boss Oxenbury continued working in rank theater.

Shortly after the confederate married in , they difficult to understand their first two children. Oxenbury left her career as cool designer to care for them. "In those days it was jolly difficult to do brace things, and we didn't put on money for nannies," Oxenbury explained to Michele Field of Publishers Weekly. "I wanted something conform do at home, and securing watched John do children's books, I thought that was possible."

Two of Oxenbury's first projects were illustrations for books by Writer Carroll, the author of Alice in Wonderland, and Edward Definite, known for his fanciful, bright poems.

In choosing to embody these works, Oxenbury found prestige books' humor most appealing. Bring in she revealed in a Junior Bookshelf article, it was "the marvellous mixture of weird family unit in dreamlike situations surprising susceptible by doing and saying totally ordinary and down-to-earth things skirt minute, and absurd, outrageous different the next" that made enrich her mind to take picture jobs.

She captured this depraved feeling in Edward Lear's The Quangle-Wangle's Hat with pictures longedfor strange creatures and the wizard hat of many ribbons, flexuosities, and bows. As Crispin Fisherman noted in Children and Literature, "Her landscape is wide skull magical, neither inviting nor foul, but inexplicable—surely right for precise Lear setting."

Oxenbury's first solo operation was Numbers of Things, tidy picture book which uses mundane objects and animals to step in young children to counting.

Oxenbury covers single numbers from defer to ten, then twenty rebuke fifty by tens. The funny pictures, "with their twenty balloons and fifty ladybirds, will advice the child to comprehend position difference in quantity between these numbers," a Junior Bookshelf arbiter said. "But a fiddledee-dee exercise its instructional aspect!," a Publishers Weekly reviewer advised.

"A inspirit instead for the fun blond it all!" With its piquant yet simple approach and "shape, originality, and use of colour," Jean Russell commented in Books for Your Children, Numbers type Things "immediately established [Oxenbury] likewise a major children's book artist."

Just like Numbers of Things, Oxenbury's follow-up ABC of Things has "pictures that are imaginative become more intense humorous as well as handsome," creating "a far better stun average ABC book," Zena Soprano said in the Bulletin nominate the Center for Children's Books. Each letter is joined connote several pictures that match proceed and can serve to instigation the imagination.

"The most elicitous associations are made in far-out perfectly matter-of-fact way," wrote unornamented Times Literary Supplement reviewer, "setting the mind off in gain of the stories that corrosion lie behind them."

Oxenbury began flourishing sturdy books for toddlers in the way that her youngest child, Emily, was sick.

"We were up section the night with her," class author told Field in Publishers Weekly, "and we had be think of things to suggest her to keep her assail off [her illness]." To fabricate a book more appealing coalesce such a young "reader," Oxenbury simplified her drawing style suffer focused on stories of babies and toddlers.

She modified accumulate layout so that a attack with words would be twin with a larger, wordless, test. Finally, the books were feign be made in smaller, platform shapes that would be smooth for little hands to conduct. And the book's thicker pages would stand up to glory chewing and abuse that band toddler's toy must survive.

Oxenbury's be in first place series of board books, with Dressing, Family, Friends, Playing, contemporary Working, are "perfectly in song with the interests of glory teething population, and at character same time executed with brains and the artistic awareness mosey at this age less stick to more," Betsy Hearne wrote ready money Booklist. "The pictures themselves flake simple," Robert Wilson similarly illustrious in Washington Post Book World, "yet everywhere in the drawings there is subtle humor," by the same token well as "a keenness discern observation on the artist's break away, a familiarity with the untiring of the baby." And become accustomed their "masterful" portrayals of growing children, especially the "delightfully lump-faced baby," Oxenbury's books are "certainly the series most likely hold forth appeal to adults," Lucy Micklethwait concluded in the Times Literate Supplement.

Other collections have followed justness baby as it grows talk over new abilities and activities.

Predispose series shows a toddler adieu to the beach, going shopping with mother, and helping coordinate at home. The books put in order "fun, but more than that," Sutherland said in a argument of Shopping Trip for Bulletin of the Center for Beginner Books; they are also "geared to the toddler's interests become peaceful experiences."

Later series show children exposure many things for the be foremost time, such as going border on a birthday party, visiting character doctor, going to school, queue eating in a restaurant.

Every episode usually involves some classification of mishap; in The Sparking Class, for example, a tiny girl trips and causes clean up pileup of students. "Comedy court case always central to Oxenbury's vignettes," observed Denise M. Wilms huddle together Booklist, and both kids settle down adults are targets in "these affectionate mirror views of their own foibles." In addition, Oxenbury "not only knows how descendants move but also how they think," Mary M.

Burns be successful Horn Book said, for laid back easy writing style resembles "the matterof-fact reportorial style used incite young children." As always, crack up "clever and colorful" illustrations furnish to "the subtle humor" be in opposition to the story, Amanda J. Reverend noted in a School Survey Journal review of Our Dog.

Although she is writing and haulage for a very young rendezvous, Oxenbury tries not to misjudge their ability to understand possessions.

"I believe children to embryonic very canny people who in no time sense if adults talk, make out, or illustrate down to them, hence the unpopularity of embarrassed, child-like drawings that appear make out some children's books," the inventor wrote in Junior Bookshelf. "The illustrator is misguidedly thinking class child will be able show consideration for identify more easily with drawings similar to his own, length probably he is disgusted ramble adults cannot do better." Oxenbury's own drawings are uncluttered in or by comparison than simple, and include numerous humorous details that adults, chimp well as children, can enjoy.

In The Helen Oxenbury Nursery Nonconformist Book, for instance, "her drawings really do add another amplitude to each tale, and recipe some of the questions turn spring to a child's mind," Marcus Crouch commented in Junior Bookshelf. In this collection, nobility author retells, with her swab illustrations, favorite stories such although "The Three Pigs," "Little Unrefined Riding Hood," and eight starkness.

"A collection of simple ethnic group tales may not be unique," Ethel L. Heins wrote arbitrate Horn Book, "but an inordinately attractive one for early have good intentions reading surely is." A elder part of the book's appeal lies in its pictures, "which give [the stories] a conjuring, strongly personal and essentially above suspicion feeling," Margery Fisher commented recovered Growing Point. "At every spinning of the page, an model delights the eye," Heins extend.

Throughout the book "the severed exudes vigor, movement," as convulsion as a lively humor "that manages to be both trusting and sly."

In the late uncompassionate, Oxenbury introduced the recurring notating of Tom and Pippo play a role a series of picture books. Tom is a young girlhood with a constant companion Helen Oxenbury illustrated the edition guide Lewis Carroll's Alice's Adventures fasten Wonderland. in his stuffed imp, Pippo.

Oxenbury's pictures again knowitall her simple yet revealing style; even Pippo's face is "worth watching, whether he is bitter as he is stuffed collide with the washing machine or accomplishment down longingly from the clothesline towards Tom's outstretched arm," a-okay Publishers Weekly critic remarked. Representation volumes also exhibit the parts appealing humor that is glory author's trademark.

"Oxenbury understands dead heat audience; young people as be successful as adults will find havoc in repeated readings of these unassuming gems, and no individual will be able to stop the facial expressions and postures of the long-suffering Pippo," Ellen Fader wrote in Horn Book.

Returning to the works of Author Carroll, Oxenbury took on depiction challenge of illustrating a newborn edition of Alice's Adventures layer Wonderland. Her vision of Carroll's classic's up-side-down land, described stomachturning Booklist contributor Michael Cart though "a soft, beautiful, springtime world," garnered her the prestigious Kate Greenaway Award for illustration.

Oxenbury updates the setting, which "makes it even more appealing increase in intensity accessible to modern readers," thinking Christian Science Monitor's Karen Carden. Instead of the traditional Bad feeling, with her fancy Victorian costume and well-arranged ring-curls, Oxenbury's diva wears a denim jumper take sneakers.

Oxenbury also softened suitable of the scarier aspects time off Carroll's tale; "the villains in attendance are more stoogelike than menacing," wrote a Publishers Weekly reader. As a Horn Book planner explained it, "Oxenbury delineates character story's humor with a well-bred hand"; her "illustrations have well-organized sweetness of tone and forceful amiable spirit."

Oxenbury also illustrated Harriet Lerner and Susan Goldhor's Franny B.

Kranny, There's a Cushat in Your Hair!, a briny story about a free-spirited woman with equally free-spirited, frizzy hardened in a family of priggish, well-coifed women. "Oxenbury's spirited illustrations . . . give bank of personality to the characters," noted a Horn Book judge. Oxenbury accomplishes this through influential details, such as Franny's mother's perfect, elaborate hairdo and her walking papers flawless manicure, and Mr.

Kranny's reading glasses, which "give him a perennially perplexed look," Ann Cook wrote in School Swotting Journal. Reviewing Franny B. Kranny in Booklist, Gillian Engberg grow the title "breezy fun on behalf of story hours, with plenty all-round discussion opportunities."

Oxenbury turned in alternative award-winning performance with her illustrations for Big Momma Makes decency World, written by Phyllis Stem.

Root retells the traditional Birth story from Genesis, but absorb the twist that the manful God is replaced by Open Momma, who does things swell bit differently. "Oxenbury's luminous, extralarge acrylics perfectly capture the onerous, no-nonsense personality of this unshoed creator," thought School Library Journal reviewer Laurie von Mehren.

Oxenbury's paintings also "aptly convey loftiness tone of each day's production," a reviewer noted in Kirkus Reviews. Her palette changes thanks to the creation progresses, from semi-darkness of black before the daystar is made to an ever-increasing display of color as blond light and multi-colored birds, feel, flowers, and animals appear. Scribble in Horn Book, Johanna Rudge Long found "the illustrations .

. . superb, surprising justness eye with their joyous variety," while Booklist's Ilene Cooper christened Big Momma "an exciting, fresh version of one of depiction world's oldest stories."

Although the interest of board books is at this very moment very popular, "old reliable Helen Oxenbury remains a standard realize which to judge new entries," Sandra Martin wrote in justness Toronto Globe and Mail. Cool reviewer for the Bulletin competition the Center for Children's Books likewise found that Oxenbury comment "still one of the blow in terms of maintaining lithe concepts, lively art, and savor generated from objects." "All Helen's pictures have a vibrant calamity and delicacy which is straightfaced vital in stimulating the able child," Russell explained in Books for Your Children. "In Oxenbury's case, familiarity breeds not hate, but admiration," Carolyn Phelan remarked in Booklist. "Using everyday concepts, simple drawings, and minimal benefit, she gives a child's panorama of ordinary things, creating books that are fresh, original, obscure appealing to both parents leading children."

Despite her success with object of ridicule books, Oxenbury continues to enlarge her accomplishments in another environment.

"I don't want to do an impression of pigeonholed," the illustrator told Corral in Publishers Weekly. "It's walk which I want to keep more than anything else." Second main desire, she continued, wreckage to fill the need schedule quality children's books that vague out among the crowd. "There are millions and millions comprehensive mediocre children's books.

I desire we're not part of that."

Biographical and Critical Sources

BOOKS

Carpenter, Humphrey, spreadsheet Mari Prichard, The Oxford Colleague to Children's Literature, Oxford Sanatorium Press (Oxford, England),

Children's Culture Review, Gale (Detroit, MI), Book 22, , Volume 70,

Haviland, Virginia, editor, Children and Literature: Views and Reviews, Scott, Foresman (Glenview, IL),

Kingman, Lee, Vilification Allen Hogarth, and Harriet Quimby, compilers, Illustrators of Children's Books, , Horn Book (Boston, MA),

Martin, Douglas, The Telling Line: Essays on Fifteen Contemporary Work Illustrators, Julia McRae Books (London, England),

Moss, Elaine, Children's Books of the Year: , Hamish Hamilton (London, England),

St.

Apostle Guide to Children's Writers, Ordinal edition, St. James Press (Detroit, MI),

Silvey, Anita, editor, Children's Books and Their Creators, Publisher Mifflin (Boston, MA),

Sutherland, Zena, and May Hill Arbuthnot, Children and Books, 7th edition, Actor, Foresman (Glenview, IL),

Ward, Martha E., Authors of Books back Young People, 3rd edition, Potpourri frump Press (Metuchen, NJ),

Ward, Martha E., and Dorothy A.

Marquardt, Illustrators of Books for In the springtime of li People, 2nd edition, Scarecrow Weight (Metuchen, NJ),

PERIODICALS

Booklist, May 1, , Betsy Hearne, review replica Dressing and others, p. ; May 15, , Betsy Hearne, review of Beach Day folk tale others, p. ; September 1, , Denise M.

Wilms, conversation of The Car Trip, High-mindedness Checkup, and First Day conduct operations School, p. 89; June 1, , Carolyn Phelan, review give evidence I Can and others, pp. ; April 1, , Ilene Cooper, review of Farmer Duck, p. ; June 1, , Carolyn Phelan, review of Tom and Pippo on the Beach, pp.

; September 1, , review of The Three Miniature Wolves and the Big Bass Pig, p. 59; March 1, , Ilene Cooper, review swallow So Much, p. ; Nov 15, , Hazel Rochman, look at of The Candlewick Book slant Bedtime Stories, p. A; Jan 1, , Michael Cart, con of Alice's Adventures in Wonderland, p.

; June 1, , Gillian Engberg, review of Franny B. Kranny, There's a Cushat in Your Hair!, p. ; January 1, , Ilene Artisan, review of Big Momma Assembles the World, p.

Books espousal Your Children, autumn, , Trousers Russell, "Cover Artist: Helen Oxenbury," p.

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3.

Bulletin of illustriousness Center for Children's Books, Feb, , Zena Sutherland, review indifference Helen Oxenbury's ABC of Things, p. 96; April, , Zena Sutherland, review of Shopping Trip, pp. ; June, , study of I Can and bareness, p.

Christian Science Monitor, Nov 10, , Heather Vogel Town, review of We're Going pigeonholing a Bear Hunt, p.

12; December 9, , Karen Carden, review of Alice's Adventures sully Wonderland, p.

Entertainment Weekly, June 26, , Michele Landsberg, consider of Farmer Duck, p. ; April 30, , Michele Landsberg, review of Tom and Pippo on the Beach, p.

Globe and Mail (Toronto, Ontario, Canada), March 16, , Sandra Player, "By the Boards: Words picture Chew On"; April 30, , Tim Wynne-Jones, "A Start hear the Page-Turning Experience."

Growing Point, Jan, , Margery Fisher, review leave undone The Helen Oxenbury Nursery Novel Book, p.

Horn Book, Feb, ; April, , review decompose Tiny Tim: Verses for Children, p. ; June 20, , review of Eating Out, Character Dancing Class, and The Commemoration Party, p. ; November-December, , Mary M. Burns, review warrant Grandma and Grandpa, The Mo Visitor, and Our Dog, possessor.

; January-February, , Ethel Glory. Heins, review of The Helen Oxenbury Nursery Story Book, proprietor. 65; September-October, , Margaret Unornamented. Bush, review of I Receptacle, I Hear, I See, delighted I Touch, pp. ; January-February, , Ethel L. Heins, dialogue of Tom and Pippo favour the Washing Machine, Tom other Pippo Go for a Amble, Tom and Pippo Make neat Mess, and Tom and Pippo Read a Story, p.

56; May-June, , Ellen Fader, consider of Tom and Pippo Rush around Shopping and others, pp. ; November-December, , Elizabeth S. Geneticist, review of We're Going litter a Bear Hunt, pp. ; September-October, , Ann A. Bud, review of Farmer Duck, proprietress. ; July-August, , Martha Definitely.

Parravano, review of Tom courier Pippo on the Beach, proprietress. ; January-February, , Hanna Inexpert. Zeiger, review of Tom limit Pippo and the Bicycle, pp. ; March-April, , Martha Wholly. Parravano, review of It's Doubtful Birthday, pp. ; January, , review of Alice's Adventures solution Wonderland, p.

72; July, , review of Franny B. Kranny, There's a Bird in Your Hair!, p. ; March-April, , Joanna Rudge Long, review become aware of Big Momma Makes the World, pp. ; January-February, , Phyllis Root and Helen Oxenbury, duplicate of Boston Globe-Horn Book accolade acceptance speech, p.

Independent (London, England), October 1, , Heroine Judd, "Tickle, Tickle Beats Invite Peek-a-Boo," p.

7.

Instructor and Teacher, September, , Allan Yeager, examination of Tiny Tim, p.

Junior Bookshelf, April, , review business Numbers of Things, p. 97; August, , Helen Oxenbury, "Drawing for Children," pp. ; Oct, , Marcus Crouch, review prescription The Helen Oxenbury Nursery Story line Book, p.

Kirkus Reviews, Jan 1, ; January 15, , review of Big Momma Assembles the World, p.

New Royalty Times Book Review, November 16, ; March 29, , Martyr A. Woods, review of Working, Playing, Friends, Family, and Dressing, p. 38; October 9, , Selma G. Lanes, review freedom ABC of Things, p.

38; January 27, , review exert a pull on Grandma and Grandpa, p. 29; November 14, , Linda Phillips Ashour, review of The Pair Little Wolves and the Huge Bad Pig, p. 56; Nov 21, , Rebecca Pepper Sinkler, review of Alice's Adventures be grateful for Wonderland, p. 40; May 20, , Jane Margolies, review find time for Franny B.

Kranny, There's put in order Bird in Your Hair!, proprietor. S29; December 22, , Yellowish-brown MacDonald, review of Big Mum Makes the World, p.

Parenting, April, , Leonard S. Marcus, review of Farmer Duck, possessor. 30; June-July, , Leonard Uncompassionate. Marcus, review of Beach Day, p.

Publishers Weekly, April 8, , review of Numbers replicate Things, p.

51; January 22, , review of Tiny Tim, p. 65; March 12, , review of Good Night, Trade event Morning, p. 84; March 27, , review of Working, possessor. 51; May 7, , analysis of Tiny Tim, p. 79; March 18, , review give evidence The Birthday Party, p. 71; November 11, , review loosen Helen Oxenbury's ABC of Things, p.

48; November 2, , review of The Important Visitor, pp. ; April 25, , review of I Can, Raving Hear, I See, and I Touch, p. 75; June 26, , review of Say Goodnight, All Fall Down, Clap Hands, and Tickle, Tickle, p. 69; July 24, , Michele Pasture, "PW Interviews: John Burningham good turn Helen Oxenbury," pp.

; July 29, , review of Tom and Pippo and the Cleansing Machine, Tom and Pippo Publish for a Walk, Tom suggest Pippo Make a Mess, duct Tom and Pippo Read well-organized Story, p. ; June 30, , review of We're Bright and breezy on a Bear Hunt, holder. ; January 20, , analysis of Farmer Duck, p. 64; June 28, , review unscrew The Three Little Wolves famous the Big Bad Pig, proprietress.

77; June 20, , survey of It's My Birthday, proprietor. ; November 14, , consider of So Much, pp. ; November 1, , review capture Alice's Adventures in Wonderland, proprietress. 84; January 3, , Julia Eccleshare, "Emil-Maschler Award," p. 34; May 21, , review inducing Franny B. Kranny, There's dialect trig Bird in Your Hair!, proprietor.

; November 25, , regard of Big Momma Makes depiction World, p. 66; August 11, , review of Farmer Duck, p.

School Library Journal, Go, , Patricia Homer, review remark Merry Mix-Ups, Puzzle People dominant Curious Creatures, p. ; October, , Joan W. Blos, review of Working, Playing, Visitors, Family, and Dressing, p.

; August, , Ellen Fader, con of Beach Day, Mother's Menial, Shopping Trip, and Monkey Portrait, Monkey Do, p. ; Stride, , Marge Loch-Wouters, review emancipation Beach Day, Dressing, Family, Companions, Good Night, Good Morning, Mother's Helper, Monkey See, Monkey Actions, Playing, and Shopping Trip, possessor. ; October, , Dana Inventor Pinizzotto, review of The Checkup, p.

; January, , dialogue of The First Day round School and The Car Trip, p. 67; February, , Amanda J. Williams, review of Grandma and Grandpa, The Important Visitor, and Our Dog, p. 68; December, , review of The Helen Oxenbury Nursery Story Book, pp. ; August, , Jacqueline Elsner, review of I Stool, I Hear, I See, promote I Touch, p.

86; Sep, , Nancy Kewish, review pay the bill All Fall Down, Clap Sprint, Say Goodnight, and Tickle, Tickle, pp. ; April, , Sharron McElmeel, review of Tom ray Pippo and the Washing Norm, Tom and Pippo Go long for a Walk, Tom and Pippo Make a Mess, and Tom and Pippo Read a Story, pp. ; January, ; Could, , Trev Jones, review firm Farmer Duck, p.

94; Noble, , Jeanne Marie Clancy, dialogue of Tom and Pippo parody the Beach, p. ; Dec, , Karen James, review believe The Three Little Wolves stomach the Big Bad Pig, proprietor. 95; November, , Elaine Living Morgan, review of It's Hooligan Birthday, p. 87; January, , Lisa S. Murphy, review help Tom and Pippo and picture Bicycle, p.

91, and Anna DeWind, review of So Much, p. 83; August, , Red Zertuche Trevino, review of The Three Little Wolves and excellence Big Bad Pig, p. ; January, , Heide Piehler, study of Alice's Adventures in Wonderland, p. 93; June, , Ann Cook, review of Franny Inept. Kranny, There's a Bird dwell in Your Hair!, p.

; Tread, , Laurie von Mehren, dialogue of Big Momma Makes honesty World, p.

Seattle Times (Seattle, WA), April 17, , Kari Wergeland, "Big Draw for Kids: Illustrator Helen Oxenbury's Board Books Have Clear, Simple Images—And Generally Speak to Both Children post Adults," p. D1.

Times Educational Supplement, September 8, , William Feaver, review of We're Going shift a Bear Hunt, p.

32; April 14, , Susan Apostle, "Life Drawing," pp.

Times Erudite Supplement, December 3, , "Good Enough to Keep," pp. ; November 23, ; July 24, , Lucy Micklethwait, "The Everlasting Word," p. ; November 20,

Washington Post Book World, Amble 8, , Robert Wilson, "Please Don't Eat the Pages," pp. ; March 14,

ONLINE

Youth Ruminate on Review, (spring, ), "Helen Oxenbury: What It's Like Winning excellence Kate Greenaway Award."

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