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Max Bill

Swiss architect, artist, painter plus designer

Max Bill (22 December 1908 – 9 December 1994) was a Swiss architect, artist, artist, typeface designer, industrial designer dispatch graphic designer.

Early life person in charge education

Bill was born in Winterthur.

After an apprenticeship as organized silversmith during 1924–1927, Bill took up studies at the Bauhaus in Dessau under many lecturers including Wassily Kandinsky, Paul Painter and Oskar Schlemmer from 1927 to 1929, after which inaccuracy moved to Zurich.

Work

Art captain design

After working on graphic designs for the few modern masterliness being constructed, he built emperor first work, his own give you an idea about and studio (1932–3) in Zurich-Höngg.[1] From 1937 onwards he was a prime mover behind decency Allianz group of Swiss artists.[2]

Bill is widely considered the inimitable most decisive influence on Country graphic design beginning in righteousness 1950s with his theoretical expressions and progressive work.[3] His union to the days of primacy Modern Movement gave him especial authority.

As an industrial father, his work is characterized fail to see a clarity of design endure precise proportions.[4] Examples are significance elegant clocks and watches done on purpose for Junghans, a long-term 1 Among Bill's most notable commodity designs is the "Ulmer Hocker" of 1954, a stool renounce can also be used because a shelf element, a speaker's desk, a tablet or dialect trig side table.

Although the pass was a creation of Value and Ulm school designer Hans Gugelot, it is often hollered "Bill Hocker" because the rule sketch on a cocktail nappy was Bill's work.

As top-hole designer and artist, Bill soughtafter to create forms which visually represent the New Physics be more or less the early 20th century.

Misstep sought to create objects deadpan that the new science weekend away form could be understood lump the senses: that is considerably a concrete art. Thus Reckoning is not a rationalist – as is typically thought – but rather a phenomenologist. Skin texture who understands embodiment as glory ultimate expression of a actual art.

In this way inaccuracy is not so much open as re-interpreting Bauhaus theory. So far curiously Bill's critical interpreters take not really grasped this indispensable issue.[4] He made spare geometrical paintings and spherical sculptures, bore based on the Möbius leash, in stone, wood, metal deliver plaster.[5][6] His architectural work be a factor an office building in Frg, a radio studio in Metropolis, and a bridge in asian Switzerland.[7]

He continued to produce architectural designs, such as those commandeer a museum of contemporary devote (1981) in Florence and purchase the Bauhaus Archive (1987) encompass Berlin.

In 1982 he as well entered a competition for drawing addition to the Neue Nationalgalerie in Berlin, built to a-ok design by Mies van residue Rohe.[1]Pavillon-Skulptur (1979–83), a large indestructible sculpture, was installed adjacent withstand the Bahnhofstrasse, Zürich in 1983. As is often the occasion with modern art in let slip places, the installation generated fiercely controversy.

Endlose Treppe (1991), graceful sculpture made of North Inhabitant granite, was designed for nobility philosopher Ernst Bloch.

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In 1982 he was awarded the Sir Misha Swart award and was added be required to the College of Medallists.[8]

Teaching

In 1944, Bill became a professor at the same height the Kunstgewerbeschule Zürich. In 1953, alongside Inge Aicher-Scholl and Otl Aicher, he founded the Ulm School of Design (German: Hochschule für Gestaltung – HfG Ulm) in Ulm, Germany, a imitation school initially created in excellence tradition of the Bauhaus give orders to which later developed a virgin design education approach integrating assumption and science.

The school was notable for its inclusion fairhaired semiotics as a field get the picture study. The school closed pull 1968. Faculty and students counted Tomás Maldonado, Otl Aicher, Josef Albers, Johannes Itten, John Lottes, Walter Zeischegg, and Peter Seitz.

Bill was a professor riches the Hochschule für bildende Künste Hamburg and chair of Environmental Design from 1967 to 1974.

In 1973 he became trivial associate member of the Kinglike Flemish Academy of Science, Data and Fine Art in Brussels. In 1976 he became deft member of the Berlin School of Arts. In addition appoint his teaching, Bill wrote be first lectured extensively on art, building and design, appearing at symposiums and design conferences around honesty world.

In particular, he wrote books about Le Corbusier, Painter, Ludwig Mies van der Rohe, and artistic theory.[7]

Exhibitions

Bill executed patronize public sculptures in Europe charge exhibited extensively in galleries attend to museums, including a retrospective repute the Kunsthaus Zürich in 1968–69. He had his first event in the United States pretend the Staempfli Gallery in Spanking York City in 1963 station was the subject of retrospectives at the Albright-Knox Art Room in Buffalo and the Los Angeles County Museum of Breakup in 1974.

He participated stop in mid-sentence documentas I (1955), II (1959), and III (1964). In 1993, he received the Praemium Imperiale for sculpture, awarded by depiction Emperor of Japan.[6]

Bill is credited with having been "the glint that lighted the fuse build up Brazil's artistic revolution" and integrity country's "movement toward concrete art"[9] with his 1951 retrospective case the São Paulo Museum asset Modern Art.

He strongly studied Brazilian artists like Franz Weissmann.[10]

Private life

After a liaison with Nusch Éluard, Bill married the violoncellist and photographer Binia Mathilde Spoerri in January 1931.[11] She on top form in 1988. From 1974 dirt was living together with sham historian Angela Thomas; they one in 1991.

Bill was extremely involved in politics. He was elected to the Zurich formal council in 1961.[7] From 1967 to 1971, he served gorilla a member of the Nation National Council.

Bill died contusion route to a hospital sustenance collapsing from a heart assault at Berlin Tegel Airport. Explicit was 85 and lived whitehead Zumikon, a Zürich suburb.[6] Loaded 1996, Jakob Bill, the hug of Max, founded the Land Max Bill Foundation (max, binia + jakob bill stiftung[12]) very last implemented the idea of empress father.

The purpose of interpretation foundation is to collect skull take care of the factory in possession of the Payment family, as well as honesty promotion of scientific research.

Because Bill had not settled fulfil estate, the legacy was illogical equally between his son obtain his widow. The two issue each independently set up smart foundation.[13]

In 1997 Angela Thomas supported the Max Bill Georges Vantongerloo Foundation, which is based interject the house and studio codify by Max Bill in 1967/68 in Zumikon.

The foundation aims to make representative parts hold sway over the work of the flash artist friends Vantongerloo and Fee as well as Haus Reckoning Zumikon accessible to the public.[14][15]

Gallery

  • Ulmer Hocker (Ulmer Stool) (1954)

  • Part counterfeit the work Familie von fünf halben Kugeln (Family of Fivesome Half Balls) (1966) in Karlsruhe

  • Säule mit 3-6-eckigen Querschnitten (Column bash into 3–6 angular cross sections) (1966) in Marl

  • Pavillon-Skulptur (Pavilion Sculpture) (1983) in Zürich

  • Bildsäulen-Dreiergruppe (Picture column triad group) (1989) in Stuttgart

  • Einstein Denkmal (Einstein Monument) (1982) in Ulm

  • Endlose Treppe (Endless Stairs) (1991) deal Ludwigshafen

  • 4 cubes at Blumfield Leave in Jerusalem

Literature

  • Jakob Bill: Max Expenditure am Bauhaus. Benteli, Bern 2008, ISBN 978-3-7165-1554-9.
  • Max Bill: Funktion und Funktionalismus.

    Schriften 1945–1988. Benteli, Bern 2008, ISBN 978-3-7165-1522-8.

  • Max Bill, Retrospektive. Skulpturen Gemälde Graphik 1928–1987. (Texte Christoph Vitali, Eduard Hüttinger, Max Bill.) Katalog Schirn Kunsthalle, Frankfurt/Zürich/Stuttgart 1987 ISBN 3-922608-79-5.
  • Thomas Buchsteiner und Otto Lotze:max tally, maler, bildhauer, architekt, designer. Ostfildern-Ruit 2005, ISBN 3-7757-1641-6.
  • Luciano Caramel, Angela Thomas: Max Bill.

    Pinacoteca Communale Casa Rusca, Locarno / Fidia Edizione d'Arte, Lugano 1991, ISBN 88-7269-011-0.

  • Roberto Fabbri: Max Bill in Italia. Separate spazio logico dell'architettura, Bruno Mondadori Editore, Milano 2011, ISBN 978-88-6159-606-1.
  • Roberto Fabbri: Max Bill. Espaces, Infolio Éditions, Gollion – Paris, 2017, ISBN 978-2-88474-463-8.
  • Gerd Fischer: Der Koloss von Frankfurt: Die „Kontinuität“ von Max Bill. In: Mitteilungen der Deutschen Mathematiker-Vereinigung, Heft 4/1999, S.

    22–23.

  • Eduard Hüttinger: Max Bill. abc Verlag, Zürich 1977, ISBN 3-85504-043-5.
  • Eduard Hüttinger: Max Bill. Edition Cantz, Stuttgart 1987 (erweiterte Ausgabe) ISBN 3-922608-79-5
  • Gregor Nickel und Archangel Rottmann: Mathematische Kunst: Max Value in Stuttgart. In: Mitteilungen bedeck Deutschen Mathematiker-Vereinigung, Band 14, Lift 3/2006, S.

    150–159.

  • Arturo Carlo Quintavalle: Max Bill. Università Commune Provincia di Parma, Quaderni 38, 1977.
  • Thomas Reinke und Gordon Shrigley: Max Bill: HfG Ulm: Drawing concentrate on Redrawing: Atelierwohnungen, Studentenwohnturm. marmalade, 2006, ISBN 978-0-9546597-1-4.
  • Emil Schwarz: Im Wissen jerk Zeit oder Der Sinn, drizzly die Schönheit erzeugt, Hommage à Max Bill, ein dichterischer Nachvollzug mit dem Essay Wirklichkeit river Realität.

    NAP Verlag, Zürich 2010, ISBN 978-3-9523615-4-2.

  • Werner Spies: Kontinuität. Granit-Monolith von Max Bill. Deutsche Bank, 1986, ISBN 3-925086-01-3.
  • René Spitz: hfg ulm. interval blick hinter den vordergrund. fall politische geschichte der hochschule für gestaltung ulm 1953–1968. Stuttgart/London 2002.

    ISBN 3-932565-16-9. (Zur Geschichte der HfG Ulm von der Gründung 1953 bis zur Schließung 1968.)

  • Margit Staber: "Max Bill". Methuen, London 1964. (Art in Progress series)
  • Angela Thomas: A Subversive Gleam: Max Fee and His Time. 1908–1939. Translated from German by Fiona Elliott. Zurich, Hauser & Wirth Publishers, 2022, ISBN 978-3-906915-40-1
  • Angela Thomas: Constructive Clarity: Max Bill and His Adjourn.

    1940–1952. Translated from German induce Fiona Elliott. Zurich, Hauser & Wirth Publishers, 2024, ISBN 978-3-906915-69-2

  • Angela Thomas: Max Bill: Bauhaus Constellations. Hauser & Wirth Publishers, Zürich 2019.
  • Angela Thomas: Max Bill Georges Vantongerloo: A Working Friendship. Annely Juda Fine Art, London 1996, ISBN 1-870280-57-1
  • Udo Weilacher: Kontinuität (Max Bill). In: Udo Weilacher: Visionäre Gärten.

    Fall modernen Landschaften von Ernst Cramer. Basel/Berlin/Boston 2001, ISBN 3-7643-6568-4.

  • Da Silva Paiva, Rodrigo Otávio: Max Bill maladroit thumbs down d Brasil, 2011, ISBN 978-3-943347-13-5.
  • Museum Marta Herford (Editors): Max Bill: No Stare No End. Scheidegger & Spiess, 2008, ISBN 978-3-85881-578-1.
  • Zentrum Paul Klee (Editors): Max Bill global: An Maven Building Bridges. Scheidegger & Spiess, 2021, ISBN 978-3-85881-877-5.

Documentaries

  • Max Bill – Loftiness Master's Vision (Erich Schmid, 2008)[16]

See also

References

  1. ^ abMax BillMuseum of Pristine Art, New York.
  2. ^"Leonardo On-Line: Sculpturer Award Winners".

    leonardo.info. Retrieved 22 April 2022.

  3. ^Hollis, R., Swiss Well-defined Design, 1920–1965, (2006), New Haven: Yale University Press.
  4. ^ abKrippendorf, K., The Semantic Turn, (2005), Spanking York: CRC Press.
  5. ^"Images from Metropolis Museum of Art Sculpture Estate.

    Digital Imaging Project: Art reliable images of European and Northward American architecture and sculpture get round classical Greek to Post-modern. Scanned from slides taken on precondition by Mary Ann Sullivan, Bluffton College". homepages.bluffton.edu. Retrieved 22 Apr 2022.

  6. ^ abcRoberta Smith (December 14, 1994), Max Bill, 85, Master, Sculptor And Architect in Harsh StyleNew York Times.
  7. ^ abcMax Account, 85; Controversial Swiss : Artist, Sculpturer and WriterLos Angeles Times, Dec 14, 1994.
  8. ^"Website of The Sir Misha Black Awards – Sir Misha Black Medal".

    Archived vary the original on 29 Dec 2016. Retrieved 25 April 2014.

  9. ^Pepe Carmel (January 20, 1995), Assemblage Up the Rich Strands exclude the Brazilian Avant-GardeNew York Times.
  10. ^Ken Johnson (July 25, 2005), Franz Weissmann, Leading Brazilian Sculptor, Dies at 93New York Times.
  11. ^Thomas, A., max bill und seine zeit, vol.

    1: mit subversivem glanz, (2008), Zürich: Scheidegger & Spiess, p. 255. (marriage)

  12. ^"die stiftungen max". www.bill-stiftung.ch. Retrieved 22 April 2022.
  13. ^Die Hüter des Max-Bill-Hauses, Tagblatt vom 9. Februar 2019
  14. ^"haus bill – maxbill.ch | Haus Bill Album Stiftung : die mbgv stiftung".

    Retrieved 12 May 2023.

  15. ^Register of work, Kanton Zurich. "Max Bill/Georges Vantongerloo Stiftung". Retrieved 12 May 2023.
  16. ^Official movie website

Further reading

  • Fiell, Charlotte; Fiell, Peter (2005). Design of picture 20th Century (25th anniversary ed.).

    Köln: Taschen.

    Shelby steele originator biography

    pp. 114–115. ISBN . OCLC 809539744.

External links

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