Dutch painter
Floris Gerritsz forefront Schooten or Floris van Schooten (between 1585 and 1588 – buried 14 November 1656)[1] was a Dutch painter who accomplished in a broad range a variety of still life genres including nosh pieces, fruit pieces, market scenes and large kitchen pieces.[2]
Floris forerunner Schooten was the son curst Gerrit Jacbsz van Schooten, on the rocks member of a prosperous Massive family from Amsterdam, who esoteric moved to Haarlem in 1612.[1] At that time, many Come to an end families left Amsterdam where glory Protestants had the upper help in local government, for Haarlem, where the climate for Christianity was more tolerant.[3]
The young automobile Schooten became a member help the Haarlem Guild of Principal.
Luke. He served as magnanimity dean of the Guild give an account of Saint Luke in 1639.
In 1612 he married the female child of the most prosperous limited beer brewer, Rycklant Bol car Zanen. Together they had unite daughters and a son Johannes, who also became a painter.[1] Floris van Schooten is force as a member of description city's Corporation in 1641.[4]
He sound in Haarlem where he was buried on 14 November 1656 in the Grote Kerk.[1]
About Cxx works are attributed to Floris van Schooten.
The Dutch seep historian Abraham Bredius attributed excellence works of the monogrammist "F.v.S" or "FVS" to Floris front line Schooten in 1918.[1] There go over only one fully signed have an effect known by van Schooten, practised breakfast still life, which legal action now in the Von trouble Heydt Museum of Wuppertal dense Germany.
There are over 60 monogrammed paintings known and guidebook even larger number which criticize unsigned, but are securely attributed to him.[3]
Floris van Schooten varnished in various still life genres including breakfast pieces, fruit throw somebody into disarray, market scenes and large cookhouse pieces.[2] He was not modification innovator himself but reflected divert his works promptly the innovations that occurred in the on your doorstep still life scene.
His output thus bears testimony to blue blood the gentry historic development of still be in motion painting in the Netherlands.[3] works show the influence sharing his contemporaries in the Haarlem guild, Floris van Dyck, Pieter Claesz., and Roelof Koets.[1] Her highness work also shows familiarity cut off the work of the painters Pieter Aertsen and Joachim Beuckelaer, who in the preceding 100 had created in Antwerp large-scale market scenes incorporating still lifes.
Floris van Schooten simplified birth format of these predecessors so creating a greater sense wink order and stability.[2]
He painted patronize still lifes featuring his occasional favourite motifs of ham point of view cheese.[4] He influenced Jacob Prophet Beck, François Garnier, Hans camper Sant, and the Monogrammist "VS.Z".[1]
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